Feeding Ghosts

 

Feeding Ghosts is a graphic memoir of three generations of Chinese women. It was published last year and has won many awards. It won the Pulitzer Prize for Memoir and was a winner of the National Books Critics Circle. Also, the book won the Libby Award For Best Graphic Novel and was a Kirkus Nonfiction Prize finalist. This awesome memoir was also named a Best Book Of the Year by Time, Forbes, NPR, Publishers Weekly, Library Journal and my library, the Chicago Public Library. It is a chunkster as it is over 400 pages long.

The publisher's summary:

In her acclaimed graphic memoir debut, Tessa Hulls traces the reverberations of Chinese history across three generations of women in her family. Tessa’s grandmother, Sun Yi, was a Shanghai journalist swept up by the turmoil of the 1949 Communist victory. After fleeing to Hong Kong, she wrote a bestselling memoir about her persecution and survival—then promptly had a mental breakdown from which she never recovered.

Growing up with Sun Yi, Tessa watches both her mother and grandmother struggle beneath the weight of unexamined trauma and mental illness, and bolts to the most remote corners of the globe. But once she turns thirty, roaming begins to feel less like freedom and more like running away. Feeding Ghosts is Tessa’s homecoming, a vivid, heartbreaking journey into history that exposes the fear and trauma that haunt generations, andthe love that holds them together.

The story is told in black and white comic strip panels. The dialogue is densely packed into the strips so it is a slow read. However, it's well worth reading. With over 400 pages the book is definitely a chunkster. 

I was fascinated by Tessa's retelling of her mother and grandmother escaping from China and heading to the United States. She explains that there was inter-generational trauma that affected her. How she was raised and her relationships with her family was based upon her mother and grandmother's stunted emotions. Tessa inherited this. When she traveled to China with her mother, her mother was freed from her trauma and acted like she was at home. Mom was at peace from seeing the family she left behind. I wondered whether it would have been better to have stayed behind in Maoist China.

This is a memoir to cherish. I loved the story and learned alot about the immigrant experience. 5 out of 5 stars.

Let's Not Talk Anymore

Let's Not Talk Anymore portrays 5 generations of women from the author's family in a graphic memoir. Their stories are told from when they were all fifteen years old. In 1902 the author's great-grandmother Kuan's life is told. In 1947 her grandmother Mei's story is told and in 1972 her mother Bing is portrayed. In 1998 author Pixin’s own life is shown and in 2032 the author's imaginary daughter Rita's life is given. These stories alternate back and forth in time and span a century. 

Weng Pixin's lineage is full of sorrow. Great-grandmother Kuan is sent away from her family in China to Singapore, grandmother Mei's mother allowed her to be adopted by a neighbor to help with the housework, Bing's father left the family home, while Pixin feels isolated from her mother. Through these generational traumas, fractured relationships are passed down from mother to daughter every generation. It all seemed sad to me. These ladies were miserable but tried to hide their feelings. I am not sure why but I wonder if this is a way for the Chinese to save face? 

The artwork was drawn in colorful comic book panels. It was a little hard to tell the difference between the women given that they look alike. Weng Pixin changed the facial coloring and hair styles to distinguish them from one another. She used an interesting mixed media approach to the drawings by using poster paint, oil pastels and watercolors. The style of the drawings is simple, almost childlike. 

My main takeaway from the book is that the way in which each of us handle adversity comes from imitating the way our elders handled it. This is a depressing thought because it seems that we are all doomed to repeat mistakes from the past. I liked that the last nine pages were of butterflies ready for flight. Perhaps there is a silver lining in every family's story.

3 out of 5 stars.

Pound for Pound

Underground MMA fighter Dani Libra fears nothing except her recurring blackouts that obscure her bloody past. She is an immigrant from Mexico but when her sister is kidnapped, Dani must return there in order to find her. In the process she must shine a light on the darkness in her mind from the blackouts and keep her demons at bay long enough to save her sister.

Pound for Pound is a fantastic crime thriller with plenty of twists and turns. Dani is a badass woman with a zest for winning. She gets herself involved in many violent fights in order to get what she wants.  Dani is a great character. Her blackouts are primarily obscuring a violent crossing into the U. S. from Mexico that was undertaken when she was young. Her parents passed away in the crossing and Dani and her sister were luckily adopted by a stranger. 

This emotion filled story is complimented by the artwork. The reader can see Dani's emotions when she tenses her face, arms and legs and also when she has tears and blood flowing out of her mouth after being struck. The punches during the fights are also accentuated by the drawings as well as with the words "crack," "ugh" and "whack." 

There is some politicking here on the issue of immigration from Mexico into the U. S. that I don't think added much to the story. The main point of the comic is to tell a crime story. With several villains in Mexico featuring in the plot, the reader picks up enough about the current thoughts on Mexican immigration that we do not need narrative or dialogue on the subject.

Pound for Pound is a great read!  5 out of 5 stars. 

The Banks

Roxane Gay's The Banks is a heist thriller in comic book form. The Banks are a family of thieves from the South Side of Chicago and include married couple Melvin and Clara, their daughter Cora and their granddaughter Celia, an investment banker.  Their philosophy is to get in, get out, get paid and don't get greedy.  They are the most successful thieves in the city.  When Celia, who has long turned her back on her family, comes across a great idea for the heist of all heists it brings together three generations to determine whether it is feasible.

The Banks is a fun read. I especially loved the illustrations and coloring. The story begins in 1972 and I remember the fashions and hair styles well. It's what made me read the comic twice before writing a review. Ming Doyle drew the illustrations and Jordie Bellaire did the coloring. The colors that Bellaire used are all cool jewel tones which I found attractive. 

The Banks family accurately reflects the the time and place of the story. All three of the Banks women are products of the era in which they were born. Clara and Celia have a particularly rough relationship as Celia wants to be an honest worker in a high paying career while Clara didn't feel she had many options for a career. Celia is an investment banker and her grandmother tells her that being a thief is not as bad as being an investment banker.  Cora tells Celia that Celia steals from more people than Clara and steals much more money. Thus, Clara is more honest than her granddaughter. While the heist itself is prominent, these three characters are a major part of the story. 

Highly recommended!  5 out of 5 stars. 

The Best We Could Do

The Best We Could Do is the story of the Bui family in both Vietnam and the U. S. Most of the story, though, takes place in Vietnam.  It gives the family's history from the time of the  author's grandparents to the family's arrival in America in 1978 and then to the present time.

The story opens and ends in 2005 with the author giving birth to her first child and then switches to 1999 when the author left home to move in with her boyfriend. The cultural differences between the author and her mother and their inability to communicate confounds the author and results in her wanting to search for her roots in Vietnam.  Her memories move back to 1978 Malaysia where the Buis lived in a refugee camp for several months before emigrating to America. Then we travel back in time and to Vietnam as the author's father tells her the family history. This is where most of the story is told.

The Bui family was quite resourceful in adapting to the changing political terrain in Vietnam. They were always able to remain just above destitution until the Vietnam War decimated the country. The Buis were not concerned with which side of the war was right or wrong.  They were only trying to survive and keep their extended family safe. Author Thi Bui's parents' relationships with their own parents is dissected and how the grandparents coped with a changing country is shown. Likewise, Thi Bui's siblings' relationships with their parents also unfolds as they grow up and learn to deal with the harshness of their lives.

I was captivated by the family's story and believe that their cultural background aided their ability to survive conflict and make a new life in a different country. The Vietnamese are longsuffering.  They are family oriented and as long as the family is OK, life is good.

I am unclear on the reason for title of the book. Obviously, the family's sufferings to survive could be the reason the author chose "The Best We Could Do." However, I think it is about her relationship with her mother. Thi Bui became assimilated into American culture including its expression of affection. Her mother rarely displayed affection or said what she felt in her heart, which I believe is pretty normal for a person who experienced the trauma of war and displacement. These differences seemed to create a divide between them that could not be breached. Ms. Bui clearly wants to be closer to her mother. Another thing I noticed is that throughout the book the author included several private moments that she had with her mother. She did not share her siblings having these moments. With the book opening and closing with the author having a baby, and her mother being present for the birth, instead of this being a family saga, it seems more like the back story for the reason that their relationship is restrained.

I feel that I must mention the artwork. Ms. Bui used pen and ink drawings to tell her story. They were colored in cool-toned orange shades.

The Best We Could Do is such a great story that I read it twice in a row. I cannot recommend it more highly. I think that you will love it and, at the very least, you will learn about the history of the Vietnamese in the 20th century.