The Once and Future Riot

This graphic novel investigates the 2013 Muzaffarnagar Riot that took place in India. Graphic journalist Joe Sacco examines the sectarian violence, crowd dynamics and competing narratives concerning the riot. The book was published in October 2025.

The publisher's summary: 

Compared to other episodes of lethal Indian communal violence, the clashes in Uttar Pradesh in 2013, the Muzaffarnagar Riot, were a relatively small-scale affair―some scores of people were killed and several tens of thousands displaced. It had happened before and will probably happen again: Hindus and Muslims, armed with guns and swords, riled up by vitriolic rhetoric and a tangle of accusations, turn on one another. The truth fragments along religious lines, both in the lead-up to the rampage and in its bloody aftermath.

In The Once and Future Riot, Joe Sacco immerses himself in Uttar Pradesh, speaking to government officials, political leaders, village chiefs, and especially the victims, who were mostly landless peasants, in a quest to understand this riot as an archetype of political violence. In the process, he probes the role of savagery in a democracy; the power of crowds, rather than leaders, to influence the course of events; the collision of competing narratives; and the accounts that perpetrators construct to explain away their participation in bloodshed.

Hailed as “the heir to R. Crumb and Art Spiegelman” (Economist), Sacco has chronicled the urgent histories that define the world around us, from the Great War to Gaza. Here, he turns his masterful visual reportage to a story that is specific to India but with implications and resonance for all precarious multiethnic, multiracial societies everywhere.

 After finishing the book I thought that one side had to be primarily at fault for the riot. I had some difficulty determinating which party held that fault so I re-read the book. I kept a cheat sheet detailing who did what in each village. It was an exercise in futility.

The root cause of all of the distrust between the Hindus and the Muslims was the Partition of 1947. The Partition forced Muslims to leave India and move to a new country, Pakistan, where they would be the majority population. Hindus no longer wanted Muslim neighbors even though Muslims were working on their farms. The economics of the Partition resulted in Hindu farm owners paying double the wages to anyone willing to work their farms. Muslims were too far away to labor for them. Before Partition Hindus and Muslims lived peacably side by side. Each faction respected the other. What a mistake it was.

The trigger of most of the clashes was mistreatment of women. The men would then kill the perpetrators but they would eventually be killed themselves in retaliation. The political and religious leaders were never able to prevent the violence and in many cases they did not want to stem the violence. Leaders on both sides fueled anger by spreading misinformation. Unfortunately, Muslims were forced to live in camps after Jat Hindus burned down their villages. The riot itself lasted a few days but violence seems to be a norm in Indian politics, hence the "future" riot. 

I enjoyed reading the book and learned alot about Indian politics. I felt the author's frustration as he traveled throughout the Uttar Pradesh region trying to obtain the truth. Very few people told him what really happened in their villages, preferring to tell him a narrative set by their personal politics. This was a difficult assignment for the author but he did well in telling the reader how he searched for answers on a daily basis.

5 out of 5 stars. 

Do Admit

The gorgeous color pallette of this graphic biography prompted me to read the book. I have read previous books by Mimi Pond so I knew it would be spectacular. The biography is about the six Mitford sisters Nancy, Unity, Diana, Pam, Jessica and Deborah as well as the other members of the aristocratic family, and their geo-political influence on major events of the 1920s and 1930s. The book won the 2026 Cartoonist Studio Prize for Long-form Comic from the Center for Cartoon Studies as well as the 2025 Graphic Novel Critics Poll. The title "Do Admit" is a favorite saying of the sisters. This 444 page book was published in September 2025.

The publisher's summary:

Born with pedigrees but without the pocketbooks to match, The Mitfords were certainly no strangers to lies, intrigue, or scandal. Nancy, Pamela, Diana, Unity, Jessica, and Deborah. All six sisters were weaned on their family’s well-documented upper class eccentricities: a ne’er do well would-be entrepreneur father; a stern, stiff-upper-lipped mother; a revolving door of governesses of varying propriety, all against the backdrop of a crumbling estate falling into disrepair.

The sisters grew from cloistered turn-of-the-century country girls into debutantes who would marry into political influence―for better or worse. Is it any wonder that a young, working class Mimi in Southern California becomes enamored with The Mitfords’ downright fanciful rich-and-famous lifestyle? This charming, inventively cartooned, and lovingly researched biography captures the dramatic, over-the-top antics of high society’s strongest personalities as they rubbed elbows with some of history’s most infamous fascists and communists.

Pond’s genius for classic cartooning in the vein of the Vanity Fair caricature and the satirical illustrations of Charles Addams brings the aesthetic decadence of the 1920s and ‘30s to life with effortless aplomb, warts and all.

I had heard the Mitford name before but knew nothing about the family. The book fills in all of the details of each of the sisters' lives who lived during the first half of the 20th century. I wondered why the author, Mimi Pond, decided to write about them as I believe we are around the same age. How did she become interested in the family? Regardless, she wrote an entertaining and informative book about the sisters.

As I stated above, I loved the color palette. Another aesthetic I liked was the use of info-graphics for the narrative part of the story. I thought this was creative and enjoyed reading the narrative. The author used lines of text of different font sizes placed at different angles. She is a master of typology. The rest of the story was shown in whimsical illustrations. The copyright page states Pond owns the copyright to every part of the book. From this information it becomes apparent that she drew the illustrations and did the lettering in addition to writing the text. I hope Pond wins more awards for the book because it is fantastic. 

There are dozens of characters. We have the six sisters, two parents, many spouses, a few children, and many famous people inside the story. The Mitfords knew Hitler, Winston Churchill, Lyndon Johnson, John F. Kennedy, and William Faulkner. Two of the sisters were fascists. Diana and Unity were deeply entrenched in the Nazi inner circle. Diana married Sir Oswald Mosley, founder of the British Union of Fascists. Unity became obsessed with Adolf Hitler, befriending him and remaining a dedicated follower in Germany. Hitler's records show he met with Unity 140 times. Jessica was a staunch communist and she moved to the U. S. Deborah became the Duchess of Devonshire. Jessica and Deborah married nephews of prime ministers Winston Churchill and Harold Macmillan, respectively. Needless to say, these divergent political views created distance in their relationships with each other.

Do Admit is going to be in my top books for 2026. It is a masterpiece. 5 out of 5 stars.

Tall Water

Tall Water is a coming of age teen graphic novel that follows one girl’s journey to Sri Lanka to reconnect with her long-lost mother during the devastating Indian Ocean tsunami of 2004. The book won the Asian Pacific American Award for Young Adult Literature Honor Award in 2026. It was published in August 2025.

The publisher's summary:

Ever since she turned sixteen, Nimmi has wanted to see her mother. Though she has a loving but overprotective father and a budding relationship, she yearns to travel to Sri Lanka to confront the mother who refused to leave the island during a war, not even for Nimmi’s sake. Her father is going back for the first time as a reporter on assignment, but he refuses to take her, deeming Sri Lanka too dangerous.

But then Nimmi's mother appears to her in a dream, asking her to come find her, and Nimmi knows she must go. Her father is livid when he sees her at baggage claim, but by then it’s too late, and he reluctantly agrees to help Nimmi make contact with her mother. In Sri Lanka, Nimmi tags along with her father and his guide, past checkpoints and armed soldiers and increasing hints of the war that rages there.

However, the day after Christmas, disaster strikes and a tsunami ravages the island. Stranded amid the devastation and destruction, can Nimmi reunite with her mother? Through her journey, Nimmi might just learn that the person she most needed to find was herself.

This story is fantastic. I could not put it down. Although only 245 pages, the plot is extraordinary as are the characters. Nimmi is more mature than her sixteen years would allow and she is fearless. It takes guts to plan a last minute trip to a place she has never been before. She had no qualms over taking a long distance flight by herself nor did she seem to feel any uneasiness about meeting her mother for the first time during the planning phase if the trip. Nimmi’s plan was to meet her father at the airport in Colombo, Sri Lanka, unbeknownst to him, even though his flight left South Dakota one day earlier. I didn't understand this but, hey, its fiction. Nimmi took a mature stance on her relationship with her boyfriend Daniel. They were planning on attending colleges in different states. Daniel thought a long distance relationship would work but Nimmi, being practical, knew she would end the relationship. 

Nimmi’s father Andrew was protective of her which is why he told her she couldn't accompany him to Sri Lanka. When he saw her at the Colombo airport he was of course surprised but not too upset. He thought she would be safe under certain circumstances. Nimmi’s mother Renuka was not a sympathetic character in my mind. While she was heroic to care for over ten kids in an orphanage, she didn't connect with Nimmi as I expected. Yes, she was thrilled to see her daughter but I felt Renuka cared more about trying to fix Sri Lanka's problems than getting to know her daughter. There were also several secondary characters who were sympathetic so the story has fantastic characters.

The plot was both thrilling and informative. I knew nothing about the 2004 tsunami before reading the book. With the artwork by Dion MBD the readers sees upfront what life is like in rural Sri Lanka as well as the devastation the tsunami caused. I particularly liked the color pallette, which is how I decide on getting a graphic novel. If the colors aren't pretty I probably won't get the book. Another fact I learned from the book is that the Sri Lankan people are resilient. Almost immediately they began to rebuild the orphanage, having already located a safe place for the kids to stay. Nimmi’s maturity shines here as we see her taking care of the kids and contributing to the cooking without anyone asking her to help out.

The novel has so much more than described here. It's one of the best coming of age stories that I have ever read. 5 out of 5 stars.

This Place Kills Me

This Place Kills Me is a YA fictional graphic novel concerning a private girl's boarding school in Massachusetts. The story is set in the 1980s and is told in comics, letters, diary entries, and news articles. It is a page-turning whodunnit that kept me on the edge of my seat. This novel was published in August 2025.

The publisher's summary:  

At Wilberton Academy, few students are more revered than the members of the elite Wilberton Theatrical Society—a.k.a. the WTS—and no one represents that exclusive club better than Elizabeth Woodward. Breathtakingly beautiful, beloved by all, and a talented thespian, it’s no surprise she’s starring as Juliet in the WTS’s performance of Shakespeare’s classic tragedy. But when she’s found dead the morning after opening night, the whole school is thrown into chaos.

Transfer student Abby Kita was one of the last people to see Elizabeth alive, and when local authorities deem the it-girl’s death a suicide, Abby’s not convinced. She’s sure there’s more to Wilburton and the WTS than meets the eye. As she gets tangled in prep school intrigues, Abby quickly realizes that Elizabeth was keeping secrets. Was one of those secrets worth killing for?

Abby is the protagonist of the story. She is totally rejected by her classmates because of her appearance. Abby has old fashioned big glasses and is a sloppy dresser. Even her roommate Claire refuses to speak with her. Because she is an outcast, Abby spends all her time outside of classes listening to her walkman. She is a curious person though. When she sees lights from a flashlight from her window in the middle of the night Abby runs outside to see what's happening. She overhears police officers discussing Elizabeth's death on one occasion and on another she finds a classmate trying to kill herself with drugs.

All of her classmates are mean girls. The author does a good job of showing the usual dialogue between them. The word "like" is repeated by them constantly and, of course, they all are huge gossipers. There are several mysteries to solve in this story. How did Elizabeth die, who is distributing drugs and why has Abby been banished to this school by her parents. 

The artwork is the reason I bought the book. The back cover blurb informed me that the plot was a nice mystery but the color palette was what I found enticing. The illustrator, Nicole Goux, used cool tones of pink and blue with a thick black font for the dialogue. The cover design was appealing too. 

I enjoyed reading this book. In fact I read it twice before writing the review. There are some dark elements that might upset readers such as death, suicide, drugs and LGBTQIA issues. I didn't see them as triggering but I am an old lady. Kids may find them troubling.

5 out of 5 stars.